![]() 2021: Thanks to We Write About Music for this kind review: Huge thanks to Plastic Lizard for having Eli on his podcast: /episode/4vWWOEEEo5xuRGIckFxo2R?si=8aGLpsJpSIGX6kD37HmJxg&dl_branch=1 Thanks to WRIR In Richmond for making Eli's album #13 out of the top new albums for the week of August 17. Huge thanks to Slug Mag for premiering the first single and video for Oversoon: Thanks to Slug Mag also for this insightful interview with Eli & we're very excited that it was featured in their July 2021 paper issue as well: Huge thanks to Taylor and The All Scene Eye for this premiere and interview about Receiver: /3/premiere-on-receiver-elizabeth-owens-art-pop-adventure-continues/ Huge thanks to Doug and The Auricular for premiering Knock Knock and writing such beautiful words about it: Thanks to Grimalkin Records for supporting queer artists Thanks to Micah Barry for the music magic she contributed to my favorite tracks on the record So many thanks to Oscar Keyes for all of the support, listen-throughs, feedback and collaborative conspiring of digital visual poetry ![]() Photography/art/design by Elizabeth Owens *Additional mixing on Layperson by Benjamin Dunkerley *Layperson bass vibes contributed by Micah Barry *Sending and Receiving co-written by Micah Barry *All songs and parts written, recorded and produced by Elizabeth Owens Since then, they have been forging a path of relentless self-discovery and aural storytelling through such unique releases as Growing Pain and Coming of Age. Ten years of classical training in piano, voice, and guitar coupled with their experience in production & sound design makes Owens' genre-fluid blend of electro-baroque art-pop both classic and fresh.Īfter pursuing degrees in both Filmmaking & Psychology in Richmond, Virginia, Owens decided to focus their efforts on music production & education in 2014. Play the Patience unity game here: /patienceīio: English-born artist Elizabeth Owens has always held music close to their heart. The digging begins.Įxperience the full visual album here: youtu.be/NlFNSBiROOQ While searching fruitlessly for a way around the merciless ridge, our hero discovers a different route: through. Countless grueling attempts at scaling the beast later, they find themselves bruised and alone at the bottom of the rocks. Told in three acts, the record explores themes of sobriety, ego deconstruction, and spiritual materialism.Īfter escaping the Tower of Forgetting and reaching the edge of the broken kingdom in Coming of Age, our young hero(ine) now faces the mountains ahead. Showcasing an eclectic mix of electronic samples, experimental production and complex vocal layering atop lush arrangements of harp, piano and lead guitar, this avant-garde baroque-pop roller coaster makes for an intense and captivating listen.Ĭonceptually, Knock Knock is a continuation of Owens' "Coming of Age" saga. It’s darker than it was before….I should’ve done moreĪug 13, 2021: Knock Knock, the second studio album by (Eli)zabeth Owens (they/them), is an ambitious and exhilarating departure from the psychedelic folk-rock sounds they’ve come to be known for. There’s no end, no way back up now, I’ve fucked up now, can’t return Sometimes you’ve just gotta wait it out, somehow Say you want to be organic, let it happen! ![]() Surround yourself with all the things you think you need Striving for some other plane is all we know, When you try to force a move, your progress slows When you try to bridge the gap, a haunting grows…Īll these other versions of you stop and go If you try to stop the pain, you get to know When you try to reach the end, you always go
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